Nigerian historical fantasy ‘OSAMEDE’ will
screen at the 2025 Cannes Film Market on May 17 at the Pavillon Afriques, marking a significant milestone for Nigerian cinema on the international stage.
Directed by Africa Magic Viewers’ Choice Awards (AMVCA) winner James Omokwe (Chetam, Ajoche, Riona, Itura) and executive produced by investment and finance veteran Lilian Olubi, the film follows an orphaned girl who discovers superhuman powers in 1897 colonial Benin Kingdom. Her mission: to harness the power of the ancient Aruosa stone and liberate her people from British colonial control.
Olubi, while speaking with newsmen in Lagos, said Nigeria has exported music and films globally, adding that, “With OSAMEDE, we’re revolutionising how African historical narratives are presented by bringing the legendary Benin Empire’s mythology to life with production values and storytelling that mirror Hollywood fantasy epics.”
The film stars Ivie Okujaye Egboh, Lexan Aisosa Peters, William Benson, Tosin Adeyemi, Lancelot Oduwa Imasuen, and Alexander Bud, bringing to life a narrative that falls within the growing category of African historical fantasy, showcased in recent global successes like “The Woman King.”
OSAMEDE represents a unique stage-to-screen evolution, building on the theatrical production staged 12 times to sold-out audiences by Olubi’s Gold Lilies Productions. This adaptation process gives the film a pre-tested narrative foundation similar to successful Broadway-to-screen adaptations.
Director James Omokwe added: “Osamede goes beyond a fantasy film set in Africa, with this film, we’re reclaiming our historical narrative through the fantasy genre. What ‘Black Panther’ did for Afrofuturism, we’re doing for African historical fantasy rooted in actual Benin Kingdom mythology. Our approach combines authentic cultural elements with cinematic spectacle in ways audiences haven’t seen before.”
OSAMEDE arrives at a moment when global audiences are increasingly seeking authentic cultural storytelling with universal appeal. The film presents a rare opportunity to capitalize on the proven commercial potential of historical fantasy while introducing audiences to the untapped cinematic wealth of Benin Kingdom lore. The film’s international debut comes as Nigeria’s cinema industry continues to expand globally. This expansion resonates with the vision behind Nigeria’s ‘Screen Nigeria’ initiative to increase the country’s cinematic footprint abroad.
The timing is particularly significant, as “My Father’s Shadow” makes history this year as the first Nigerian film to screen in Cannes’ Official Selection. Together, these films mark a breakthrough moment for Nigerian cinema, creating a simultaneous presence in both the festival’s main selection and the film market.
