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LOCAL SPOTLIGHT: Can A Video Game Solve A Century Of Colonialism?

Adejoke Alabi-Henry by Adejoke Alabi-Henry
7 months ago
in Entertainment
video games
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For decades, the African gaming experience was defined by interventions that came from outside. Africa navigated digital worlds designed in other parts of the world with characters who spoke with foreign accents.

But in 2026, a seismic shift is occurring. Local studios are no longer content with being consumers; they are becoming the continent’s premier storytellers, trading western influences for authentic, culturally intelligent narratives that are capturing global attention.

At the forefront of this movement is Tepida Games, a Lagos-based studio that has become synonymous with the “Afro-centric” wave. By blending high-octane gameplay with deep-rooted cultural heritage, they are proving that Africa’s history and daily life are not just background noise but the main event.

One of the most talked-about titles of the year is Cabal Hunt. Described as a “cinematic action-adventure,” the game skillfully merges modern political intrigue with ancient ancestral mysteries. Players don’t just fight enemies; they navigate a world where urban legends and African spirituality are woven into the mechanics of the game.

“We wanted to create something that felt inherently ours,” says a spokesperson from Tepida Studios. “In Cabal Hunt, the stakes are high-stakes and global, but the soul of the story is rooted in the soil of West Africa. It’s about identity, power, and the spirits that walk among us.”

While Cabal Hunt leans into the epic, Tepida’s other breakout hit, Kasala, takes a sharper, more grounded approach. A social satire simulator, Kasala drops players into the chaotic, vibrant, and often hilarious streets of Lagos.

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The game acts as a mirror to the Nigerian experience, tasking players with navigating everything from “yellow bus” (danfo) traffic to the complex social hierarchies of a Lagos “owambe” party. It is “cultural intelligence” in digital form—a game where understanding local slang and social etiquette is just as important as fast reflexes. The title has resonated deeply with local audiences, who finally see their daily “hustle” celebrated with humour and precision.

This shift toward authentic storytelling isn’t just about pride; it’s about business. According to the State of the African Video Game Industry 2026 report, the continent’s gaming market has surpassed a valuation of $2.3 billion.

Investors are taking notice. As the African youth population continues to explode—set to make up 40% of the world’s youth by 2030—global giants like Disney and Microsoft are looking for local partners. The success of projects like the Iwájú: Rising Chef mobile game (a collaboration between Disney and Nigeria’s Maliyo Games) has served as a proof-of-concept: African stories sell.

What sets studios like Tepida apart isn’t just what they tell, but how they build. Recognising the infrastructure challenges of the region, these “Afro-centric” games are often designed as “Lite” versions—optimised for mid-range Android smartphones and low-bandwidth data environments.

“Authenticity means nothing if the people the stories belong to can’t play them,” explains the Tepida team. By prioritising offline playability and minimal storage requirements, local developers are ensuring that the digital revolution is inclusive.

 

 

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Adejoke Alabi-Henry

Adejoke Alabi-Henry

Adejoke Henry is the Editor, Lifestyle & Culture at Leadership Newspaper, where she oversees editorial direction, content strategy, and brand storytelling. A dynamic media professional, she brings a strong footprint in Nigeria's publishing and lifestyle space to her leadership role.

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